Instruments
of
Change
September-November 2025​
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as
signs
of
freedom
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A group of auriculas (detail)
by L. V. Hopwood
framed at 18" X 14"
Lithograph



A group of auriculas (detail)
by L. V. Hopwood
framed at 18" X 14"
Lithograph
Impromptu
Corresponding Sympathies of the Heart
Collaboration between Vicki Milewski and Louis Sullivan
Watercolor, ink, pencil on cotton rag
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​Instruments of Change (as signs of freedom) shows the work of artists, architects and publishers who see art as a chance to create new instruments, new contracts, that support our sense of freedom by allowing us to consider artworks as we would a contract, an explanation of trust, and then decide if we want to voluntarily assent to the work’s promise. Whether through publishing scandalous work that was either too sexual in nature or too radical a restructuring of architecture to stunning works showing our world as it stands today in the twenties of the 21st Century, Instruments of Change shows the signs we know mean freedom. Or as Immanuel Kant wrote, freedom is like "thinking for yourself."
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Represented are works from
Temple of Flora: New Illustrations of the Sexual System of Carolus von Linnaeus published by Dr. Robert John Thornton in 1803 creating scandal with women being told to not garden because of the sexual nature of flowers.
Oscar Howe, whose recent exhibit “Dakota Modern” places this mid-20th Century artist as a path finder for contemporary artists while staying true to his Native American heritage.
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A System of Architectural Ornament According with a Philosophy of Man's Powers by architect Louis Sullivan which is still not fully understood as his statement, “With our powers.... We can create a sane and beautiful world.” Sullivan sought to show the mystical and visionary aspects of architecture by visualizing 28 of those powers we all share.
Erin Shalk’s sculptural pieces which move easily through architectural blueprints of the future and topographic maps made real.
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And other artists whose work speaks of freedom and how our considered and voluntary agreements strengthen our ownership of self.
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Galaudet Gallery sees this exhibit as an opportunity to engage each person in the visionary work of what we want our lives to be. We are not only exhibiting the results of creative expression but also the processes and larger stakes--creative, social, economic, environmental, ethical--in a world that demands radical change.
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Scalp Dancer
by Oscar Howe
Lithograph made with the artist and artwork present
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Flesh and Bone 5
by Emma Connolly
Oil Painting in Artist made frame

Van Allen Building
by Louis Sullivan
Ink on Paper​
Inner Strata
by Erin Shalk
acrylic, wire, cast paper on wood panel
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Contact Galaudet Gallery to inquire about any of these artworks
715-513-9994
or
Have a gala-day! (Galaudet)
Also on view are some of Vicki Milewski's Blended Artworks merging animation, NFT's and history and continuing her collaboration with Louis Sullivan and his visionary philosophy detailing the powers we all share. Powers like love, courage and empathy are visualized for further elucidation of Sullivan's and Milewski's understanding of power. Or as Martin Luther King Jr. spoke, "Now power properly understood is nothing but the ability to achieve purpose. It is the strength required to bring about social, political and economic change." Below is a Blended Artwork using the power of Initiative visualized.


Below are two essays from our last exhibit Bohemian Blues.
Essays for Instruments of Change will be out shortly!
Some of the ideas expressed above are from two different articles in two different publications: Praxis Issue 14 "Film and the Museum a conversation with Barry Bergdoll and Reinhold Martin" and Harvard Design Magazine No 52 "Instruments of Service
Bohemian Blues and Wild Hearts Show New Frontiers to Explore
by GG curators
Michael Milewski.
Vicki Milewski