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Instruments 

of

Change

September-November 2025​

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as

signs

of

freedom 

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A group of auriculas (detail)

 by L. V. Hopwood

framed at 18" X 14"

Lithograph

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New_illustration_of_the_sexual_system_of_Carolus_von_Linnaeus_BHL1.2.jpg
New_illustration_of_the_sexual_system_of_Carolus_von_Linnaeus_BHL1.2.jpg

A group of auriculas (detail)

 by L. V. Hopwood

framed at 18" X 14"

Lithograph

Impromptu

Corresponding Sympathies of the Heart

 Collaboration between Vicki Milewski and Louis Sullivan

Watercolor, ink, pencil on cotton rag

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​Instruments of Change (as signs of freedom) shows the work of artists, architects and publishers who see art as a chance to create new instruments, new contracts, that  support our sense of freedom by allowing us to consider artworks as we would a contract, an explanation of trust, and then decide if we want to voluntarily assent to the work’s promise.  Whether through publishing scandalous work that was either too sexual in nature or too radical a restructuring of architecture to stunning works showing our world as it stands today in the twenties of the 21st Century, Instruments of Change shows the signs we know mean freedom.  Or as Immanuel Kant wrote, freedom is like "thinking for yourself."

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Represented are works from

 

Temple of Flora:  New Illustrations of the Sexual System of Carolus von Linnaeus published by Dr. Robert John Thornton in 1803 creating scandal with women being told to not garden because of the sexual nature of flowers.

 

Oscar Howe, whose recent exhibit “Dakota Modern” places this mid-20th Century artist as a path finder for contemporary artists while staying true to his Native American heritage.

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A System of Architectural Ornament According with a Philosophy of Man's Powers by architect Louis Sullivan which is still not fully understood as his statement, “With our powers.... We can create a sane and beautiful world.” Sullivan sought to show the mystical and visionary aspects of architecture by visualizing 28 of those powers we all share.

 

Erin Shalk’s sculptural pieces which move easily through architectural blueprints of the future and topographic maps made real.

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And other artists whose work speaks of freedom and how our considered and voluntary agreements strengthen our ownership of self.

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Galaudet Gallery sees this exhibit as an opportunity to engage each person in the visionary work of what we want our lives to be. We are not only exhibiting the results of creative expression but also the processes and larger stakes--creative, social, economic, environmental, ethical--in a world that demands radical change.

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Scalp Dancer

 by Oscar Howe

Lithograph made with the artist and artwork present

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Flesh and Bone 5

 by Emma Connolly

Oil Painting in Artist made frame

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Van Allen Building

 by Louis Sullivan

Ink on Paper​

Inner Strata

 by Erin Shalk

acrylic, wire, cast paper on wood panel

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Contact Galaudet Gallery to inquire about any of these artworks

715-513-9994

or

Mike@galaudetgallery.com

Have a gala-day! (Galaudet)

Also on view are some of Vicki Milewski's Blended Artworks merging animation, NFT's and history and continuing her collaboration with Louis Sullivan and his visionary philosophy detailing the powers we all share.  Powers like love, courage and empathy are visualized for further elucidation of Sullivan's and Milewski's understanding of power.  Or as Martin Luther King Jr. spoke, "Now power properly understood is nothing but the ability to achieve purpose. It is the strength required to bring about social, political and economic change."  Below is a Blended Artwork using the power of Initiative visualized.

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Below are two essays from our last exhibit Bohemian Blues. 

Essays for Instruments of Change will be out shortly!

Some of the ideas expressed above are from two different articles in two different publications:  Praxis Issue 14 "Film and the Museum a conversation with Barry Bergdoll and Reinhold Martin" and Harvard Design Magazine No 52 "Instruments of Service

Bohemian Blues and Wild Hearts Show New Frontiers to Explore

by GG curators

Michael Milewski.

Vicki Milewski

Galaudet Gallery

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